Top 10 Best Audix Mcflute

5 high quality mics for drums and percussion. Includes DFLEX clips for rim mounting. Durable cast bodies and steel grills. Heavy duty aluminum road case. Designed, assembled and tested by Audix in the USA.

Wide spectrum sound with extended bass response. Ideally suited for floor toms, djembe, baritone sax, Leslie low. Vlm very low mass diaphragm provides excellent transient response. Handles extremely high spls without distortion. Designed, machined, assembled and tested by Audix in the USA.

Heavy duty nylon material. Metal thumbscrew locks holder firmly into position. Works with a wide variety of popular microphones. Snap to fit design holds mics in any position. Durable brass threads.

Polar pattern Hyper cardioid. Frequency response 40Hz-20kHz. Impedance 150 ohms. MvPascal sensitivity 28 mV. Rejection off-axis 15 dB.

Full response with punchy mid-bass. Ideally suited for rack toms, congas, horns.. Vlm very low mass diaphragm provides excellent transient response. Handles extremely high spls without distortion. Designed, machined, assembled and tested by Audix in the USA.

Works with a wide variety of drums and hand percussion. Locks firmly into position. Durable and scratch resistant. Eliminates bulky mic stands. Works with most microphones.

LOW-FREQUENCY RESPONSE The D6 features a 30 Hz to 15 kHz frequency response. The contoured low-frequency pickup allows suitable miking of kick drums, bass cabinets, and more.. CARDIOID POLAR PATTERN The cardioid polar pattern effectively minimizes off-axis noise and ambiance from additional instruments, monitors, etc. HIGH SPL HANDLING The microphone is capable of handling extremely high audio levels without distorting.. USER TIPS The D6 compensates for instruments with extremely high sound pressure levels by having a very low output stage. Kick Drums Generally, start with the mic positioned centered between the batter and resonant heads pointed towards the beater. More Attack and less bass boom, move the mic closer to the beater. Less Attack and more bass, move the mic further away from the beater.. For kick drums without a hole in the front head, place the D6 a few inches from the head for a full dynamic sound. Toms position the mic 2 inches from the head and point towards the center of the drum. Bass Cabinets position the mic 90 degrees to the grill cloth and 1-2 inches inside the edge of the speaker..

Ground shaking low end with clarity and attack. Ideally suited for kick drum, floor toms, bass cabs. VLM very low mass diaphragm provides excellent transient response. Handles extremely high SPLs without distortion. Designed, machined, assembled and tested by Audix in the USA.

Brand Audix. Product Code CABGRAB1. Compact mic clamp for guitars and cabinets.